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The The Zine Volume 4 Issue 10

There’s Anakin Skywalker, not even ten years old, piloting a pod racer around a tight curve. Another pod is closing in on him, the other pilot (who is not human, nor a close approximation) snarls or maybe burps, when suddenly his pod bursts into flame. A small clique of Tuskan Raiders (or Sand People to the uninitiated) is perched above the bend, the one holding a still smoking rifle raises it over his head and bellows an all to familiar sound.

This sequence takes all of five or maybe seven seconds. It does not advance the plot and it does not advance character, and yet here it is. A part of film history, so to speak. It’s been ten years of Star Wars, Episode I: The Phantom Menace, and yet this one instance, the Raider with his gun and his immediately recognizable yawp of victory and success, how many Star Wars fans remember it happening?

While it’s hard to call this sequence “fan service,” given that the limited Tuskan Raider dialect has no word for “lewd” or “racy,” it’s not hard to draw a connection between the two.

Some readers of anime and manga, certain fans of the genre, have an appetite for titillation. The human form, as idealized by the artist’s hand, should never be censored even at the expense of narrative. Yes, Story should be God in the hearts and minds of aspiring writers, but every now and then, eye candy plays the scantily-clad emissary of His word. And comics, while being a medium to convey the tenets of Story, are first and foremost a visual medium. (They won’t be releasing a Watchmen audiobook anytime soon, or at the very least, they shouldn’t.)

There are aspects of this issue which are explicit. Young artists have bravely tackled human sexuality, homosexuality, lust and other prurient tracks often thought of as
“mature.” But this issue isn’t trying to titillate for the sake of titillation (unlike “professional” fan services). These writers aren’t composing (ahem) “dirty pictures” for the sake of being dirty. This issue is, by this writer’s estimation, a reflection of an entire culture’s current trend towards provocation. If there is a controversy at the heart of fan service, it’s this: Why be titillating for the sake of titillation? Should anyone hear such a
question posed in earnest, respond simply, “Why not?”

What you, dear reader, will find within this issue is nothing more or less than a testament to the human condition. And to the artists who bravely submitted their most personal works for this issue, you have my sincerest gratitude.

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